Twelve years after Bhaag Milkha Bhaag hit theatres and cemented itself as one of Bollywood’s most celebrated biographical dramas, actor-filmmaker Farhan Akhtar has finally responded to veteran actor Naseeruddin Shah’s sharp critique of his performance in the film. The renewed remarks have reignited an old debate about merit, effort, and respect in the film industry.

Shah’s 2013 Critique Resurfaces

Back in 2013, Naseeruddin Shah had publicly dismissed Farhan’s portrayal of Milkha Singh, calling the film “completely fake” and suggesting that Farhan’s physical training overshadowed emotional depth. Shah had remarked that “building muscles is not acting,” a statement that sparked considerable discussion at the time.

For years, Farhan refrained from engaging. Until now.

Farhan Calls Public Criticism “Distasteful”

Speaking in a recent interview, Farhan said that while he respects Shah’s talent and legacy, the manner in which the criticism was delivered was inappropriate.

“He is a great performer. I have known him since childhood. But if you want to improve someone’s work, there is a way to communicate it. Going to the press and saying it—I found that distasteful.”

Farhan added that if Shah felt strongly, he could have reached out personally.

“If it were me, I would pick up the phone. I would say, ‘Come home, let’s talk.’ There is a way.”

Respect Remains, But Hurt Does Too

Farhan made it clear that he is not seeking an apology, acknowledging that artistic opinions differ.
However, he hinted that the episode left a lasting sting — not because of the criticism itself, but because it came from someone he admired.

What the Film Meant for Him

Bhaag Milkha Bhaag remains one of Farhan’s most physically demanding roles, involving intense training to portray the legendary athlete Milkha Singh. The film won multiple awards and shaped Farhan’s acting trajectory, making Shah’s comments particularly impactful.

Moving Forward

Farhan is now preparing for his upcoming release 120 Bahadur, where he plays Major Shaitan Singh in a film centred on the 1962 Indo-China war. The renewed media attention around the older controversy comes just as promotional activities intensify.

Whether the conversation closes here or sparks further artistic debate remains to be seen — but the emotions around it clearly never fully faded.