The Idagunji Yakshagana Mandali, also known as the “Sri Idagunji Mahaganapati Yakshagana Mandali,” marks a monumental 91 years of commitment to preserving and promoting the ancient and vibrant art form of Yakshagana. Originating from the coastal regions of Karnataka, this troupe has evolved from performing in rural open-air theatres to showcasing its performances on global stages, adapting to contemporary trends while keeping the essence of tradition alive.
Yakshagana, a classical dance-drama art form, is deeply rooted in the folk traditions of Karnataka. It blends storytelling, music, dance, and elaborate costumes to bring mythological epics and historical tales to life. While it has long been a cornerstone of local cultural expressions, its recognition by UNESCO has brought it into the international spotlight. This achievement underscores not only the troupe’s dedication but also the significance of preserving India’s diverse cultural heritage in an increasingly globalised world.
The story of the Idagunji Yakshagana Mandali is also a tale of family, legacy, and cultural dedication. Established in 1934 by the visionary Keremane Shivaram Hegde, the troupe was created with the dual purpose of fostering the art of Yakshagana and providing a platform for talented individuals to express their artistic abilities. Over the years, it has grown into an institution, with four generations of the Hegde family continuing to lead its charge.
Today, the troupe is under the guidance of Keremane Shivananda Hegde, the grandson of Shivaram Hegde. He continues to uphold the family’s long-standing commitment to Yakshagana. His son, Shridhar Hegde, is also now a key figure in the troupe, joining the legacy after completing his higher studies. The collective dedication of the Hegde family and their artistic team is a core reason behind the troupe’s success and its eventual recognition by UNESCO.
In the nearly nine decades since its founding, the troupe has performed over 9,000 shows, not just in India but across the globe. These performances have taken place in diverse settings, from rural village theatres to sophisticated international venues, proving Yakshagana’s adaptability and its capacity to captivate audiences of all backgrounds. The troupe currently employs over 15 artists, each of whom plays an integral role in keeping the tradition alive, while innovating to meet modern demands.
For the Idagunji Yakshagana Mandali, the recognition from UNESCO is not merely an honour but a significant step in ensuring the survival and continued relevance of Yakshagana as an art form. In a world where traditional practices face the risk of being overshadowed by contemporary entertainment, the UNESCO acknowledgement serves as a powerful platform for showcasing the importance of cultural preservation.
Shivananda Hegde, the troupe’s current director, explained that the recognition was not sought for financial aid or commercial gain. Instead, it serves as a global acknowledgment of Yakshagana’s cultural importance and its potential for cross-cultural exchange. “This recognition opens doors for us to present Yakshagana on global stages, creating opportunities for dialogues around traditional Indian arts,” he shared.
He also reflected on the origins of the troupe, noting how his grandfather, Keremane Shivaram Hegde, started the troupe during India’s freedom struggle. At that time, Yakshagana was not just a form of entertainment but also a tool to express the socio-political aspirations of the time. “My grandfather used the art form to support the freedom movement, intertwining it with themes of national identity and struggle. Today, we continue his legacy with the same sense of purpose and pride,” said Shivananda Hegde.
The recognition of Idagunji Yakshagana Mandali by UNESCO stands as a beacon for the preservation of regional art forms. It highlights the significance of nurturing traditional cultural expressions and ensuring their relevance in the modern world. Through the efforts of this troupe, Yakshagana has transcended regional boundaries, reaching international audiences and proving that art is an evolving medium that can adapt while still remaining rooted in its traditions.
Shivananda Hegde and his troupe’s vision for Yakshagana extends beyond simply performing for local or national audiences. Their aim is to elevate the art form globally, creating greater awareness and understanding of the rich cultural tapestry of India. “For us, it’s about representing Karnataka’s heritage, and by extension, India’s diverse cultural landscape, on the world stage,” he explained.
As the Idagunji Yakshagana Mandali celebrates this recognition, they continue to innovate while staying true to the traditions that have defined their art form for over nine decades. Through global performances, educational outreach, and cultural collaborations, the troupe remains committed to passing on the torch of Yakshagana to future generations, ensuring that this living heritage is preserved for years to come.
The Idagunji Yakshagana Mandali’s achievement in receiving UNESCO recognition is not just a triumph for the troupe but also for the art form itself. It exemplifies the power of cultural preservation and adaptation, showcasing the continued relevance of regional art forms in the modern world. As the troupe moves forward, their dedication to Yakshagana remains unwavering, as they continue to inspire and captivate audiences across the globe with their unparalleled performances.